The Shroud of Turin. The name brings countless questions to mind. It is arguably the most sacred of all Christian relics, yet its authenticity is hotly debated. The origins of the shroud are clouded in mystery. Some believe that it first appeared in Edessa. Edessa, in the Fertile Crescent of the upper Mesopotamia, between the Tigris and the Euphrates, was a major city on the Silk Road and undoubtedly one of the earliest Christian communities. There is a strong tradition that Thomas and Thaddeus Jude went to Edessa as early as 33 CE. There is a legend that they carried with them a cloth bearing an image of Jesus. In 544 CE, a cloth, with an image believed to be Jesus, was found above one of Edessa's gates in the walls of the city, a cloth that Gregory of Constantinople would describe with a full length image and bloodstains. There is evidence that the Edessa cloth is in fact the Shroud of Turin. How could any artist, by accident or design, have produced an image so convincingly photographic, when seen in negative, at least five hundred years before there would be an opportunity to evaluate his work? To my knowledge, no art scholar has come forward to identify the Shroud with a particular artist and period. The fabric of the Shroud is a fine, tightly woven herringbone weave that has been possibly connected to Palestinian or Egyptian origin. It also relates to traditional burial customs of the period. Cadavers of the priestly caste were buried with their hands across the loins, not by their side, say in the case of Egyptian Pharaoh’s. The visible body appears to be that of a thirty to forty five year old man, naked, with beard, mustache and hair falling to the shoulder. The goniometry shows marks consistent with the biblical depiction of the crucifixion. For example, a group of injuries all over the back of the body are seen to be more than a hundred dumbbell shaped marks that can only be attributed to severe whipping from a Roman flag rum. The back of the head features eight or more downward flowing rivulets, similar to what the crown of thorns would inflict. On the “mans” left wrist there can be seen two separately angled blood flows. The right wrist is obscured by the left. In order for the blood to flow in the manner depicted on the body, the man of the Shroud’s arms must have been at an angle of sixty five degrees from the vertical- clearly a crucifixion position. There are blood stains on the feet and one indicated by an elliptical wound 4.4 centimeters wide on the right side of the body, immediately above the sixth rib. Hence the location where the legendary Spear of Longinus pierced Christs side. It would have penetrated the heart. Plenty of artist have depicted Jesus’ severe wound, but not one has ever tried to think out a pattern as complex as the one of Christ’s wounds layed out on the Shroud. The gravitational logic of the scourge thongs alone is amazing. If this is a forgery, then the forger has taken the care to calculate exactly which way the whipmaster swung. In 1988, carbon 14 testing was done, debunking the Shrouds authenticity. However, in 2005 it was proven that the 1988 testing was flawed and that the Shroud could very well be two thousand years old. We may never know if the Shroud truly is the burial cloth of Yeshua. It will always be intriguing, mysterious and immortal. Appropriate to one who promised, “Lo, I am with you always, even to the end of the world………”
Source:
"The Mysterious Shroud" by Ian Wilson(1986)



